![]() For the next three decades, the struggle against apartheid became the consuming theme and purpose of Fugard’s writing. Soon, he returned to Port Elizabeth and started writing plays of his own and staging them with his multiracial acting troupes, the Circle Players and the Serpent Players. ![]() ![]() Next, Fugard went to work at South Africa’s National Theatre Organization, where he learned to produce plays. This job allowed him to see the apartheid system’s unjust policies firsthand. Upon returning to South Africa, he married and started working at the Fordsburg Native Commissioner’s Court in Johannesburg. After dropping out of college to hitchhike his way across Africa, Fugard spent two years working on a ship and traveling around the world. He was primarily raised in the provincial capital of Port Elizabeth, Eastern Cape. Athol Fugard, South Africa’s preeminent playwright, was born to an Afrikaner mother and an English father in a small town in South Africa’s Great Karoo desert region.
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